欧洲的某个地方
影片信息
- 状态：HD中字
- 主演：Artúr/Somlay/Miklós/Gábor/Zsuzsa/Bánki/
- 导演：Radványi/Géza/
- 年份：1948
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2025-02-19 17:12
- 简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
- 8
关注公众号观影不迷路
扫一扫用手机访问
网友评分
0次评分扫一扫用手机访问
剧情简介
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
为你推荐
换一换- HD梅格翰·法伊/布兰登·斯克莱纳/维奥莱特·比恩/雅各布·罗宾森/里德·戴蒙德/加布里埃·瑞安/杰弗里·塞尔夫/爱德·维坎斯/特拉维斯·尼尔森/Fiona Browne/塔拉·麦克唐纳/Stephanie Karam/Seroosh Max Salimi/Sarah McCormack/Saoirse Hayden/Aaron Keane/Ellen Reidy/Gerry Brauders/Jordon-Dione Scanlon/
- 更新HD阿纳苏亚·森古普塔/
- 更新HD马克·沃尔伯格/米歇尔·道克瑞/托弗·戈瑞斯/莫尼布·阿卜哈特/保罗·本-维克托/萨万娜·乔克尔/阿塔纳斯·斯雷布雷夫/Leah/Remini/Eilise/Patton/Senor/Pablo/Mark/Schotz/Maaz/Ali/Milko/Kadikov/Georgi/S./Georgiev/
- 更新20250517张国荣/周星驰/张曼玉/吴君如/黄百鸣/陈淑兰/毛舜筠/李香琴/关海山/高志森/谷德昭/李丽珍/黄霑/黄光亮/何佩儿/
- 更新第24集张静初/芦芳生/余皑磊/高冬平/董畅/张宁浩/李晓川/富冠铭/
- 更新至23集马帅/孙玉/钟卓言/李夏佩/
- 更新HDHiep Tran Nghia/Dustin Nguyen/Dali Benssalah/
- 更新HD亚历克·鲍德温/汤姆·威灵/洛奇林·莫罗/斯蒂芬·多尔夫/克莱夫·斯坦登/杰西·麦特卡尔菲/切尔茜·赖斯特/埃琳娜·桑切斯/路茜·马丁/汤姆·斯蒂文斯/Sophia/Shaw/Fawn/Damara/Robson/
- 更新HD本·卫肖/托马斯·阿拉纳/玛莉亚·马斯高娃/桑德里娜·博内尔/路易多·德·朗克桑/维多利亚·米罗什尼琴科/科拉多·因韦尔尼齐/Ivan/Ivashkin/Daria/Zueva/奥丁·兰德·拜伦/皮埃尔·布雷尔/维克多·索莱/Alexander/Prince/Osei/德韦恩·麦克贝恩/
- 更新HDTS寇碧·史莫德斯/本·福斯特/加文·德里/亚历桑德拉·卡斯蒂略/乔纳森·沃顿/安德鲁·舍夫/丹·莱特/朱莉娅·迪扬/狗狗内德/Reid Price/Trina Corkum/Bob Mann/Wayne Burns/Sam Vigneault/Allison Wilson-Forbes/Leah Johnston/William Kosovic/Gita Miller/Mark A. Owen/Alexandra McDonald/
- 更新HD乔尔·麦克哈尔/维多利亚·嘉丝蒂/吉米·塔特罗/Travis Bennett/Briana Price/梅勒妮·海恩斯/Cooper Sutton/Dan Davidson/
- HD亚当·贝萨/托菲克·巴霍姆/朱莉娅·弗兰茨·里克特/哈拉·拉贾卜/莎菲卡·艾尔·蒂尔/西尔韦恩·萨姆森/穆罕默德·萨布尔·拉苏利/法伊萨·阿里亚/帕斯卡尔·塞沃/穆达·拉马丹/玛丽·雷蒙德/杜拉多·贾迪巴/法赫尔·阿尔迪恩·法亚德/扬蒂·欧玛特/Jacques/Follorou/伊斯拉姆·阿瓦迪/阿卜达哈迪·法赫利/阿卜达拉·贾巴伊/萨布丽娜·乌尔德·汉穆达/德亚·阿卜德夸德尔/
- HD肖央/佟丽娅/段奕宏/刘雅瑟/王龙正/冯兵/周楚濋/徐诣帆/高捷/尹子维/张榕容/卢慧敏/陈昊/范静祎/叶泉希/
- 更新至06集谢贤/冯宝宝/林雪/李灿森/贾晓晨/颜子菲/顾定轩/何雁诗/林耀声/符家浚/钟雪莹/张凯娸/
- 更新第03集森山未来/真木阳子/原日出子/藤龙也/
- 更新20250511艾米莉·贝特·理查兹/乔什·卢卡斯/泰勒·珀西/沃尔顿·戈金斯/弗朗西斯卡·伊斯特伍德/玛莉·艾格洛蒲露丝/Kailey Farmer/卡拉·布欧诺/加文·卡萨莱尼奥/亚当·德莫斯/黛博拉·安·霍尔/凯莉·伯格伦德/达马里斯·刘易斯/马丁·科夫/James E. Cornette/Dean Hill/Jett Jansen/Angela Bell/Warren Wood/Paul Robey/
- 更新HD钟欣潼/陶红/吴彦祖/詹瑞文/黄家诺/林一峰/
- 更新HD未知
- HD拉斐尔·佩尔索纳/多莉亚·蒂利耶/让娜·巴利巴尔/艾曼纽·德芙/文森特·佩雷斯/索菲·吉耶曼/亚历山大·萨洛/Florence Ben Sadoun/Mélodie Adda/卡琪娅·申库/塞尔日·里亚布金/Constance Verluca/Joniece Jamison/Jelle De Beule/让·克雷蒂安·赛蓓汀·勃朗峰/Bruno Fleury/Max Harter/Rapha?l Cohen/Roméo Spadone/安娜·阿尔瓦罗/
- 更新HD未知
- 更新HD吴慷仁/祝紫嫣/袁澧林/谢咏欣/许恩怡/许可儿/彭颂晴/周琳/朱栢康/巫建和/黄梓豪/各务孝太/
- 更新HD约翰·亚伯拉罕/萨迪亚·哈提卜/库玛·米什拉/
- HD莉娅·迈伦/西娅·索菲·洛赫·内斯/安妮·达尔·托普/弗洛·法格利/伊萨克·卡尔姆罗斯/马尔特·戈丁格/拉夫·卡尔松/伊萨克·阿斯伯格/Albin Weidenbladh/Oksana Czerkasyna/卡翠娜·赫尔曼/亚当·隆格伦/Willy Ramnek Petri/塞西莉亚·福斯/Kyrre Hellum/Richard Forsgren/Agnieszka Zulewska/Staffan Kolhammar/Philip Lenkowsky/
- HD李康生/巫建和/林幻梦露/陈雪甄/
- HDBella Kim/罗什迪·泽姆/朴美贤/柳泰浩/Gong Do-yu/郑庆顺/Minhee Cho/Hui-hyeon Ki/Funny Choi/Inja Lee/Sungchae Choi/Nathalie Levy/Jacques Bourgaux/Soungboom Son/Jaehyeon Lee/Heungjoo Yang/Elisa Dusapin/Numyee Kim/
- HD郑又菲/曾沛慈/陈博正/郭大睿/田中千绘/范逸臣/黄之诺/夏宇童/周厚安/谢以乐/曾珮瑜/黄镫辉/于卉乔/黄采仪/王梦麟/滕韦煦/李佳豫/赖铭伟/马志翔/廖慧珍/郑人硕/
- HD权俞利/吉海妍/玄宇锡/朴美贤/沈熙燮/
- 更新HD刘锡明/叶玉萍/吴启明/
- 更新HD桑伟淋/赵子龙/倪景阳/
- 更新HD欧阳震华/李婉华/郭德信/